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Michael Kors From the Resort Collection. Silk is still considered the ideal fabric. Kimono have T-shaped, Dambi-straight-lined robes worn so that the hem falls to the ankle, with attached collars and long, wide sleeves. Slightly less formal is the three- kamon kimono. Modern Japanese brides may also wear a traditional Shinto bridal kimono which is worn with a hiyoku.

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Look for items sold by Walmart. You will also see this noted in checkout. ZIP Codes will ship for free with value shipping. You will see this noted in checkout. Items with freight charges Items fulfilled by Walmart. When the bindings are removed, an undyed pattern is revealed. Shibori work can be further enhanced with yuzen hand applied drawing or painting with textile dyes or with embroidery; it is then known as tsujigahana.

Shibori textiles are very time-consuming to produce and require great skill, so the textiles and garments created from them are very expensive and highly prized. Old kimonos are often recycled in: Damaged kimonos can be disassembled and resewn to hide the soiled areas, and those with damage below the waistline can be worn under a hakama. Historically, skilled craftsmen laboriously picked the silk thread from old kimono and rewove it into a new textile in the width of a heko obi for men's kimono, using a recycling weaving method called saki-ori.

A single obi may cost several thousand dollars. However, most kimonos owned by kimono hobbyists or by practitioners of traditional arts are far less expensive.

Enterprising people make their own kimono and undergarments by following a standard pattern, or by recycling older kimonos. Cheaper and machine-made fabrics can substitute for the traditional hand-dyed silk. Women's obi, however, mostly remain an expensive item. Men's obi, even those made from silk, tend to be much less expensive, because they are narrower, shorter and less decorative than those worn by women. Kimonos range from extremely formal to casual. The level of formality of women's kimono is determined mostly by the pattern of the fabric, and color.

Young women's kimonos have longer sleeves, signifying that they are not married, and tend to be more elaborate than similarly formal older women's kimono.

Formality is also determined by the type and color of accessories, the fabric, and the number or absence of kamon family crests , with five crests signifying extreme formality.

Kimonos made of fabrics such as cotton and polyester generally reflect a more casual style. The typical woman's kimono outfit consists of twelve or more separate pieces that are worn, matched, and secured in prescribed ways, and the assistance of licensed professional kimono dressers may be required.

Called upon mostly for special occasions, kimono dressers both work out of hair salons and make house calls. Choosing an appropriate type of kimono requires knowledge of the garment's symbolism and subtle social messages, reflecting the woman's age, marital status, and the level of formality of the occasion.

Furisode are the most formal kimono for unmarried women, with colorful patterns that cover the entire garment. They are usually worn at coming-of-age ceremonies seijin shiki and by unmarried female relatives of the bride at weddings and wedding receptions. They may also be worn to formal parties.

They are mainly worn to tea ceremonies. The dyed silk may be figured rinzu , similar to jacquard , but has no differently colored patterns.

It comes from the word "muji" which means plain or solid and "iro" which means color. The term refers to kimono with a small, repeated pattern throughout the garment. This style is more casual and may be worn around town, or dressed up with a formal obi for a restaurant. Both married and unmarried women may wear komon. The Edo komon dyeing technique originated with the samurai class during the Edo period.

Mofuku is formal mourning dress for men or women. Both men and women wear kimono of plain black silk with five kamon over white undergarments and white tabi. For women, the obi and all accessories are also black.

Men wear a subdued obi and black and white or black and gray striped hakama with black or white zori. The completely black mourning ensemble is usually reserved for family and others who are close to the deceased. The feature of it is the short sleeve, the traditional main color of body is black, the lap of kimono has some simple pattern and elegant color.

Irotomesode with five family crests are the same as formal as kurotomesode , and are worn by married and unmarried women, usually close relatives of the bride and groom at weddings and a medal ceremony at the royal court.

An irotomesode may have three or one kamon. Those use as a semi-formal kimono at a party and conferment. They are the most formal kimono for married women. They are often worn by the mothers of the bride and groom at weddings. Kurotomesode usually have five kamon printed on the sleeves, chest and back of the kimono. They may also be worn by married women. The differences from homongi is the size of the pattern, seam connection, and not same clothes at inside and outside at hakke As demitoilet, not used in important occasion, but light patterned homongi is more highly rated than classic patterned tsukesage.

General tsukesage is often used for parties, not ceremonies. The uchikake is often heavily brocaded and is supposed to be worn outside the actual kimono and obi , as a sort of coat. One therefore never ties the obi around the uchikake.

It is supposed to trail along the floor, this is also why it is heavily padded along the hem. The uchikake of the bridal costume is either white or very colorful often with red as the base colour. The susohiki is usually worn by geisha or by stage performers of the traditional Japanese dance.

It is quite long, compared to regular kimono, because the skirt is supposed to trail along the floor. Susohiki literally means "trail the skirt". Where a normal kimono for women is normally 1. This is also why geisha and maiko lift their kimono skirt when walking outside, also to show their beautiful underkimono or "nagajuban" see below.

An important accessory was an elaborate fan , which could be tied together by a rope when folded. These robes are one of the most expensive items of Japanese clothing. Only the Imperial Household still officially uses them at some important functions. In contrast to women's kimono, men's kimono outfits are far simpler, typically consisting of five pieces, not including footwear. Men's kimono sleeves are attached to the body of the kimono with no more than a few inches unattached at the bottom, unlike the women's style of very deep sleeves mostly unattached from the body of the kimono.

Men's sleeves are less deep than women's kimono sleeves to accommodate the obi around the waist beneath them, whereas on a woman's kimono, the long, unattached bottom of the sleeve can hang over the obi without getting in the way.

In the modern era, the principal distinctions between men's kimono are in the fabric. The typical men's kimono is a subdued, dark color; black, dark blues, greens, and browns are common.

Fabrics are usually matte. Some have a subtle pattern, and textured fabrics are common in more casual kimono. More casual kimono may be made in slightly brighter colors, such as lighter purples, greens and blues. Sumo wrestlers have occasionally been known to wear quite bright colors such as fuchsia. The most formal style of kimono is plain black silk with five kamon on the chest, shoulders and back.

Slightly less formal is the three- kamon kimono. In modern-day Japan the meanings of the layering of kimono and hiyoku are usually forgotten. Only maiko and geisha now use this layering technique for dances and subtle erotic suggestion, usually emphasising the back of the neck.

Modern Japanese brides may also wear a traditional Shinto bridal kimono which is worn with a hiyoku. Traditionally kimonos were worn with hiyoku or floating linings. Hiyoku can be a second kimono worn beneath the first and give the traditional layered look to the kimono.

Often in modern kimonos the hiyoku is simply the name for the double-sided lower half of the kimono which may be exposed to other eyes depending on how the kimono is worn. Old-fashioned kimono styles meant that hiyoku were entire under-kimono, however modern day layers are usually only partial, to give the impression of layering. In the past, a kimono would often be entirely taken apart for washing, and then re-sewn for wearing. Because the stitches must be taken out for washing, traditional kimono need to be hand sewn.

Arai hari is very expensive and difficult and is one of the causes of the declining popularity of kimono. Modern fabrics and cleaning methods have been developed that eliminate this need, although the traditional washing of kimono is still practiced, especially for high-end garments.

New, custom-made kimono are generally delivered to a customer with long, loose basting stitches placed around the outside edges.

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